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February 25, 2019

Lis Rhodes: Dissident Lines

Lis Rhodes: Dissident Lines

Lis Rhodes is a pioneer of experimental filmmaking and a major figure in the history of artists working with film in Britain. Enabled by the Freelands Award 2017, Dissident Lines is Rhodes’ first-ever survey, and will span almost 50 years of work. Significantly, this is the first time that Nottingham Contemporary has ever dedicated all of its galleries to a retrospective. The exhibition will span Rhodes’ entire career, from iconic pieces such as Dresden Dynamo and Light Music to a specially commissioned new work.

Lis Rhodes has an unusually multifaceted practice, important not only as an artist, but also as a pioneering film programmer, campaigner for women’s rights and an influential educator. Her practice crosses into installation, sound art, performance and writing. She was a foundational member of Circles, a feminist film and video distribution network in the UK, and one of the early members of the London Filmmakers’ Co-op. She also taught at the Slade from 1978, influencing many generations of artists.

Rhodes has made a number of iconic pieces, such as her early film installation Light Music (1975-77), which was an innovative experiment in light and sound, presented originally as a performance. Rhodes made her first film while still a student at the North East London Polytechnic. Dresden Dynamo (1971) is a short 16mm film made without a camera by fixing Letratone stickers to film. She has described it as ‘visual abstraction’, ‘an attempt to make a material connection between what is seen and what is heard.’

Rhodes’ works since the 1990s have been responsive to unfolding geopolitical events. These films are potent and provocative critiques of a range of issues, from women’s rights, domestic violence to nuclear power, from migrant labour to surveillance (Orifso, 1999). More recently, In the Kettle (2012) cuts between the bombing of the Gaza Strip in 2009 to contemporaneous protests in London. Rather than comprising separate projects, Rhodes has seen these works as belonging to a single enquiry.

Lis Rhodes’ book Telling Invents Told, is now available to order from The Visible Press. A book launch, featuring Lis Rhodes in discussion with artist Aura Satz will take place at Nottingham Contemporay on Saturday 6 July 2019, at 5pm.

June 26, 2014

About the Authors

Film as Film: The Collected Writings of Gregory J. Markopoulos
Edited by Mark Webber
The Visible Press, 2014

Gregory J. Markopoulos (1928-92) is acknowledged as one of the pioneers of independent and avant-garde cinema. His films, which include Twice a Man (1963), Ming Green (1966), The Illiac Passion (1967) and Eniaios (1947-91), are in the permanent collections of the Museum of Modern Art (New York), Centre Georges Pompidou (Paris) and the Austrian Film Museum (Vienna). www.thetemenos.org

Mark Webber is a film curator based in London, who has been responsible for major screening events or touring programmes hosted by institutions such as Tate Modern, LUX and ICA (London), Whitney Museum (New York), Centre Georges Pompidou (Paris), Kunsthalle Basel, Oberhausen Kurzfilmtage, IFFR Rotterdam and many international festivals, museums and art centres. He was a programmer for the BFI London Film Festival from 2000-12, and is the editor of Two Films by Owen Land. www.markwebber.org.uk

P. Adams Sitney is a Princeton University professor and widely published critic. His Visionary Film: The American Avant-Garde, first published by Oxford in 1974, remains the definitive historical text on the subject. He is also the author of Modernist Montage, Vital Crises in Italian Cinema, Eyes Upside Down, and The Cinema of Poetry (forthcoming, including a chapter on Markopoulos), and editor of The Film Culture Reader, The Essential Cinema, and The Avant-Garde Film.

November 22, 2015

Temenos 2016 dates

TEMENOS 2016 will take place from 30 June to 4 July 2016.

Over three nights (Friday to Sunday), ENIAIOS IX – XI will be premiered at the site chosen by the filmmaker, close to the village of Lyssarea in Arcadia, Greece. This is the only place in the world where ENIAIOS can be seen as originally envisioned by Markopoulos.

Thursday 30 June 2016: welcome dinner and reception
Friday 1 July 2016: screening of ENIAIOS cycle IX
Saturday 2 July 2016: screening of ENIAIOS cycle X
Sunday 3 July 2016: screening of ENIAIOS cycle XI

Details of bus transportation from Athens, as well as reservations for accommodation in Loutra Ireas and neighboring villages will be determined at a later date.

International travelers should plan to arrive in Athens on 29 June or early on 30 June. Departing flights out of Athens should not be earlier than 3pm on 4 July.

Please wait for further information before arranging long-distance travel. More details will posted on this site as soon as they are made available.

July 4, 2014

Film as Film at Anthology Film Archives

Markopoulos season at Anthology Film Archives, September 2014

The first events to take place following the publication of Film as Film will be a season of four screenings at Anthology Film Archives in New York, from 8-13 September 2014. Beginning with an evening of Markopoulos’ earliest films, the programmes will continue with the first films made by the filmmaker after his relocation to Europe.

“There is no language. There is no art. There is no knowledge. There is but film as film: the beginning and the eternal moment.” (The Intuition Space, 1973)

Gregory J. Markopoulos (1928-92) is one of the most original filmmakers to emerge from the post-war avant-garde. His films, which often translated literary or mythological sources to a contemporary context, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. A co-founder of the New American Cinema Group, Markopoulos was actively involved in nurturing New York’s film community before moving to Europe at the end of the 1960s to pursue a more individual path. Firmly believing that a filmmaker should be responsibility for all aspects of his work, he developed the idea of Temenos, a monographic archive for the preservation, presentation and study of his films.

In parallel to his filmmaking, Markopoulos was a prolific writer whose articles were circulated in journals, self-published editions or programme notes. This screening series celebrates the publication of Film as Film: The Collected Writings of Gregory J. Markopoulos, a new book that gathers together some ninety out-of-print or previously unavailable texts by the filmmaker.

This is an extremely rare opportunity to see Markopoulos’ earliest works, shown alongside some of the first films made in Europe following his departure from the US in 1967. Robert Beavers and Mark Webber will be present and the book will be available for purchase at the screenings.

Curated by Mark Webber, in collaboration with Robert Beavers and Temenos Archive.

Visit the calendar for details of each screening, or view the programme on the Anthology Film Archives website.

October 7, 2015

Gregory J. Markopoulos

Gregory J. Markopoulos

Gregory J. Markopoulos, Gilbert and George, 1975/1989-91, 12 min
Gregory J. Markopoulos, Genius, 1970/1989-91, 80 min
Introduced by Mark Webber

Figura ímpar na história do cinema, Markopoulos abandonou os Estados Unidos, depois de ter sido uma das figuras cimeiras do New American Cinema, vindo, inclusivamente, a retirar os seus filmes de circulação. Na última década da sua vida, dedicou-se a rever e a reeditar os seus filmes desde finais dos anos 1940, num projecto de 80 horas, Eniaios (palavra grega, significan- do “carácter único” e “unidade”), ciclo que, enquanto tal, e como um ritual, se destina a ser visto cada quatro anos, num sítio único, Temenos.

Projecção precedida da apresentação do livro Film as Film: The Collected Writings of Gregory J. Markopoulos, organizado por Mark Webber, com um prefácio de P. Adams Sitney e publicado por The Visible Press (2014)

ENIAIOS III – REEL 1 – GILBERT AND GEORGE
Markopoulos retratou artistas como Moravia, Nureyev ou De Chirico. Este retrato da dupla Gilbert & George é marcado pela ausência da imagem interrompida por fragmentos dos corpos destas duas esculturas vivas, e pela ausência de movimento.

ENIAIOS III – REELS 2, 3, 4 – GENIUS
Um retrato triplo, inspirado na lenda de Fausto, do artista britânico David Hockney, do pintor surrealista argentino Leonor Fini e do comerciante de arte Daniel-Henry Kahnweiler. Com uma estrutura calculada, Genius constitui a secção central de Eniaios III.