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Pre-Order “Slow Writing”

To pre-order Slow Writing: Thom Andersen on Cinema, please choose your shipping destination from the drop-down menu and follow the “Buy Now” link. Payments can be made by credit card or through a PayPal account.

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Slow Writing is currently only available to pre-order from www.thevisiblepress.com. The first edition of the book is a limited run of which 900 copies are being made available for sale.

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January 6, 2016

Endorsements

Peter Gidal – Flare Out: Aesthetics 1966–2016
Edited by Mark Webber and Peter Gidal
The Visible Press, 2016

“This book is an essential point of access to the questions and considerations through which Peter Gidal has consistently fought for film – and vision itself – as a process of interrogation, displacement and resistance. While rooting the reader in the specifics of Gidal’s call for an active place of seeing, this collection of texts renews the agency of his primary question: ‘What it is to view, how to view the unknown?’”
—– Stuart Comer, Chief Curator, Department of Media and Performance Art at The Museum of Modern Art, New York

“Radical, spirited, provocative … Inspiring and invaluable, really. In here we find a welcome voice, singularly unpatronising, nuanced yet fearless in the face of the mind-narrowing opacity of ‘everyday life’.”
—– Cerith Wyn Evans

“Flare Out confirms that Gidal is undoubtedly one of cinema’s great polemicists. He summons a vast knowledge of philosophy, film and art to interrogate a question that remains pressing today: the vexed relationship between politics and form. Ever provocative and never dull, this collection underlines Gidal’s central importance as a critic of his own work and that of others, while also reminding the reader of what it means to take a stand.”
—– Erika Balsom, King’s College London

“The singular way that Peter Gidal wrestles with language is a continual lesson in philosophy, aesthetics, ideology, and politics. Flare Out: Aesthetics 1966–2016 charts his ongoing struggles with wit, lucidity, and genuine brio.”
—– Jonathan Rosenbaum

“This book is a stunning object – radical as in manifesto and aesthetic as in beautiful at the same time, which is not easy.”
—– Jacqueline Rose, Birkbeck Institute London, author of “Sexuality in the Field of Vision”.

“A marvellous production … almost too beautiful to read.”
—– Malcolm Le Grice, filmmaker/theorist.

“I shall be eternally grateful to Peter Gidal for depriving me of so much.”
—– John Smith, artist/filmmaker and former RCA student

November 22, 2015

Temenos 2016 dates

TEMENOS 2016 will take place from 30 June to 4 July 2016.

Over three nights (Friday to Sunday), ENIAIOS IX – XI will be premiered at the site chosen by the filmmaker, close to the village of Lyssarea in Arcadia, Greece. This is the only place in the world where ENIAIOS can be seen as originally envisioned by Markopoulos.

Thursday 30 June 2016: welcome dinner and reception
Friday 1 July 2016: screening of ENIAIOS cycle IX
Saturday 2 July 2016: screening of ENIAIOS cycle X
Sunday 3 July 2016: screening of ENIAIOS cycle XI

Details of bus transportation from Athens, as well as reservations for accommodation in Loutra Ireas and neighboring villages will be determined at a later date.

International travelers should plan to arrive in Athens on 29 June or early on 30 June. Departing flights out of Athens should not be earlier than 3pm on 4 July.

Please wait for further information before arranging long-distance travel. More details will posted on this site as soon as they are made available.

July 4, 2014

Film as Film at Anthology Film Archives

Markopoulos season at Anthology Film Archives, September 2014

The first events to take place following the publication of Film as Film will be a season of four screenings at Anthology Film Archives in New York, from 8-13 September 2014. Beginning with an evening of Markopoulos’ earliest films, the programmes will continue with the first films made by the filmmaker after his relocation to Europe.

“There is no language. There is no art. There is no knowledge. There is but film as film: the beginning and the eternal moment.” (The Intuition Space, 1973)

Gregory J. Markopoulos (1928-92) is one of the most original filmmakers to emerge from the post-war avant-garde. His films, which often translated literary or mythological sources to a contemporary context, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. A co-founder of the New American Cinema Group, Markopoulos was actively involved in nurturing New York’s film community before moving to Europe at the end of the 1960s to pursue a more individual path. Firmly believing that a filmmaker should be responsibility for all aspects of his work, he developed the idea of Temenos, a monographic archive for the preservation, presentation and study of his films.

In parallel to his filmmaking, Markopoulos was a prolific writer whose articles were circulated in journals, self-published editions or programme notes. This screening series celebrates the publication of Film as Film: The Collected Writings of Gregory J. Markopoulos, a new book that gathers together some ninety out-of-print or previously unavailable texts by the filmmaker.

This is an extremely rare opportunity to see Markopoulos’ earliest works, shown alongside some of the first films made in Europe following his departure from the US in 1967. Robert Beavers and Mark Webber will be present and the book will be available for purchase at the screenings.

Curated by Mark Webber, in collaboration with Robert Beavers and Temenos Archive.

Visit the calendar for details of each screening, or view the programme on the Anthology Film Archives website.

October 5, 2014

The Illiac Passion

The Illiac Passion

Gregory J. Markopoulos, The Illiac Passion, 1964-67, 91 min
Gregory J. Markopoulos, Rushes for The Illiac Passion, c.1965, 12 min
Gregory J. Markopoulos, Test with Masques for The Illiac Passion, 1966, 3 min
In the presence of Robert Beavers

„Illiac” beschreibt das Auf- oder Erstellen einer Sache. Es ist ein anderer Name für poiesis, das Ursprungswort fürs Erschaffen, für das Filme-in-die-Welt-Setzen des „Filmemachers”. The Illiac Passion ist ein Film-als-Film-Kontinent und poetisch verschlüsseltes Selbstporträt, mit dem Markopoulos über sich als einen anderen (namens Prometheus) und über die Leidenschaften des Erzeugens von Werken (also auch von Filmen, also auch über die passions von Illiac Passion) erzählt. The Illiac Passion ist ein Mythen-Irrgarten, beglänzt vom Licht des Sterns Farbe-ist-Eros. Film, in dem Griechenlands Götter sich nach Manhattan begeben und in dem das Erhabene und Gewöhnliche nicht müde werden, einen tollkühnen, tragischen, magischen Tanz aus flackernden single frames, Doppelbelichtungen, Metaphern und schierer Bildpracht zu tanzen: die Summe der maßlosen wie maßvollen Markopoulos-Filmschrift. (Harry Tomicek)