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Temenos 2016

TEMENOS 2016

Temenos site 2008

TEMENOS 2016 will take place from 30 June to 4 July 2016.

Over three nights (Friday to Sunday), ENIAIOS IX – XI will be premiered at the site chosen by the filmmaker, close to the village of Lyssarea in Arcadia, Greece. This is the only place in the world where ENIAIOS can be seen as originally envisioned by Markopoulos.

Please Note: The accommodation list for this event is currently over-subscribed, and there is a long waiting list. Please see the Temenos website for updates. It is still possible to attend the screenings if you are planning to camp or make your own arrangements.

Sign up to receive details directly from Temenos at www.thetemenos.org.

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Markopoulos Biography

Gregory Markopoulos

Gregory J. Markopoulos is acknowledged as one of the pioneers of independent filmmaking. Born in Toledo, Ohio, in 1928, he became a key figure in the New York avant-garde film scene of the 1950s and 60s, co-founding the New American Cinema Group alongside Jonas Mekas, Robert Frank, Peter Bogdanovich and others. Markopoulos’ films, which often translated literary or mythological sources to a contemporary context, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. His many film portraits feature significant figures in the arts such as David Hockney, Rudolph Nureyev, Leonor Fini, Alberto Moravia, Gilbert and George, Susan Sontag, Giorgio de Chirico, Paul Thek and W.H. Auden. At the end of the 1960s, he left the USA for Europe and began to withdraw his work – including the landmark films Psyche (1947), Twice a Man (1963), Galaxie (1966) and The Illiac Passion (1967) – from circulation. He ultimately re-edited his entire output into the 80-hour epic Eniaios (1947-91), which remained unprinted during his lifetime. Following the death of Markopoulos in 1992, his work has slowly returned to the public arena through events with institutions including the American Museum of the Moving Image, Pacific Film Archive, New York Film Festival and Documenta 12. The Whitney Museum presented a complete retrospective in 1996. Since 2004, premieres of the restored units of Eniaios have taken place every four years at a site in rural Arcadia that was chosen by the filmmaker. These unique events have been reviewed in Artforum, Frieze, Film Comment and other important periodicals. Texts by Markopoulos, which were originally printed in journals such as Film Culture, Filmcritica and Cantrills Filmnotes, or gathered in self-published anthologies and limited edition brochures, are now being made available again in Film as Film: The Collected Writings of Gregory J. Markopoulos. www.thetemenos.org

Thom Andersen in Paris

From Vienna, Thom Andersen will travel to Paris to present a retrospective at Centre Pompidou. “Slow Writing: Thom Andersen on Cinema” will be available at these programmes, and we are very excited to announce that Noël Burch will also attend the screening of Red Hollywood and will be in discussion with Thom after the film. Full schedule below.

Red Hollywood

Friday 29 September 2017, at 8pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Saturday 30 September 2017, at 4pm
Thom Andersen, Melting, 
1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––, 
1967, 11 min
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Saturday 30 September 2017, at 7pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min

Sunday 1 October 2017, at 6pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Wednesday 4 October 2017, at 8pm
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

All screenings will take place in Cinema 2 at the Centre Georges Pompidou, Place Georges-Pompidou, 75004 Paris, France. www.centrepompidou.fr

John Waters’ Bedside Reading

In a New York Times interview to promote his new book “Make Trouble“, filmmaker John Waters has confessed that he keeps his copy of Gregory Markopoulos’ “Film as Film” by his bedside.

John Waters

What books are currently on your night stand?

American Rust,” by Philipp Meyer, because his last historical novel, “The Son,” was such an amazingly well-written, violently beautiful page-turner that I have to read what came before. “Film as Film: The Collected Writings of Gregory J. Markopoulos” (obscure, yes, but I remember his underground films fondly from the Jonas Mekas/Film Comment days). And the ultimate bedside book — “The Making of Americans,” by Gertrude Stein. I enormously respect its impenetrability. Maybe this is the best novel ever written, because you can’t read it. Not even two pages. I know, I’ve tried for the last 10 years.

As published in The New York Times Saturday Book Review, 23 April 2017.

*** Please note that “Film as Film: The Collected Writings of Gregory J. Markopoulos” is almost out of print. Order a copy now whilst the book is still available new at the original publication price. ***

Two Recent Publications

The Visible Press recommends two recent publications that should be of interest to readers of our Gregory Markopoulos book “Film as Film” :-

Robert Beavers

Robert Beavers
Edited by Rebekah Rutkoff
Published by the Austrian Film Museum, 2017
ISBN: 9783901644696

This first monograph on the films of Robert Beavers is another beautifully designed book in the FilmmuseumSynemaPublikationen series from the Austrian Film Museum, Vienna. It comprises eleven newly commissioned essays by authorities such as P. Adams Sitney, Haden Guest, Susan Oxtoby and Kristin M. Jones, reprints of historical articles by Jonas Mekas, René Micha and Tom Chomont, and the filmmaker’s own rarely seen writings. A wealth of film stills are included alongside a bibliography and annotated filmography. Gregory Markopoulos’ first text on Robert Beavers, “10th of July, 1967”, which opens the chapter on Beavers in Film as Film, is also featured.

After Uniqueness

After Uniqueness: A History of Film and Video Art in Circulation
By Erika Balsom
Published by Columbia University Press, 2017
ISBN: 9780231176934

Erika Balsom’s new book After Uniqueness: A History of Film and Video Art in Circulation explores the problematics of reproducibility in film and moving image art by analysing various models of distribution and collecting. Of particular interest is a chapter on Gregory Markopoulos and his unique approach to distribution and exhibition. The author’s research of documents in the Temenos Archive has uncovered new details on the motives and aspirations that drove the filmmaker to follow a singular path.