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Table of Contents

Slow Writing: Thom Andersen on Cinema
Edited by Mark Webber
The Visible Press, September 2017

Introduction
Why I Did Not Become a Film Critic, 2017

Essays
Sex in Limbo, 1966 (on exploitation films)
Camp, Andy Warhol, 1966
Two Films by Andrew Meyer, 1966
Eadweard Muybridge, 1966
De Mille’s Ded Zeppelin, 1978 (on Madam Satan)
What is Wrong with this Picture? Almost Everything, 1978 (on The Desert People)
JB, 1978 (on James Benning)
Twelve Films by Five American Filmmakers, 1979 (on Conner, Sharits, Gehr,
   Brakhage & Fisher)
From the Cloud to the Resistance (Dalla Nube alla Resistenza) by Jean-Marie
   Straub & Danièle Huillet, from two texts by Cesare Pavese, 1981
Reagan at the Movies, 1986 (on Ronald Reagan)
“The Time of the Toad”, 1992 (on the Hollywood Blacklist)
The Misogyny Game, 1993 (on The Crying Game)
Looking Over an Underground, 1994 (on the Los Angeles underground)
The Whole Equation, 2005 (on David Thomson’s The Whole Equation)
The Political Documentary in America Today, 2005
The Sixties Without Compromise: Watching Warhol’s Films, 2005
Painting in the Shadows, 2007 (on Pedro Costa)
Passing Through Twilight, 2007 (on Night on Earth)
Los Angeles: A City on Film, 2008
This Property is Condemned, 2008 (on The Exiles)
Pebbles Left on the Beach: The Films of Morgan Fisher, 2009
Against the Grain, 2009 (on Lorna’s Silence)
A Band of Outsiders, 2010 (on In Vanda’s Room)
Happy Daze, 2010 (on Dusty and Sweets McGee)
The Decade in Review: Sketches of History 2000-2009, 2010
Unchained Melodies: The Agony and the Ecstasy of Phil Spector and
   It Felt Like a Kiss, 2010
Get Out of the Car: A Commentary, 2011
Random Notes on a Projection of The Clock by Christian Marclay
   at the Los Angeles County Museum of Art, 4:32 p.m., July 28, 2011
   – 5:02 p.m., July 29, 2011, 2011
Barbarians at the Gate, 2012 (on Los Angeles film culture)
Yasujirō Ozu: The Master of Time, 2012
Too Late to Stop Now, 2013 (on Jean-Marie Straub)
Fire in Every Shot: Wang Bing’s Three Sisters, 2013
The Allure of Failure, 2014 (on Francesco Vezzoli)
500 Words (as told to Travis Diehl), 2016

Images
16 pages of colour and black & white images including film stills and photographs

Thom Andersen Filmography

Thom Andersen Bibliography

Thom Andersen & Noël Burch Retrospective in Barcelona

Els teòrics fan cinema: Thom Andersen i Noël Burch
17–29 April 2018 at Filmoteca de Catalunya, Barcelona, Spain

Red Hollywood

Thom Andersen i Noël Burch tenen en comú el fet d’haver impartit classes a la universitat (a Califòrnia l’un, a Lilla l’altre), de ser nord-americans, d’interessar-se pel cinema primitiu, de formar-se en el marxisme i d’haver fet un film plegats (Red Hollywood), que també és un llibre comú sobre la caça de bruixes.

Andersen va focalitzar el seu interès en Muybridge i els lligams entre cinema i ciència per revisar també la història de l’anomenat “cinema mut” o la manera com als EUA havien estat desacreditats els blacklisted. Més tard ha indagat sobre la imatge de Los Angeles al cinema. Recentment, el volum Slow Writing: Thom Andersen on Cinema (The Visible Press, setembre 2017) recull diversos articles d’Andersen sobre les avantguardes, els llargmetratges de Hollywood i el cinema contemporani publicats al llarg de cinc dècades.

Noël Burch va començar a ser conegut a casa nostra per la seva Praxis del cine quan la utilització del terme praxis era suficient per identificar a quin corrent pertanyia el teòric. Després, amb El tragaluz del infinito (Ediciones Cátedra, 2006) va posar fi a la divisió de la història del cinema entre “mut” — i primitiu — i “sonor” — i modern. 

Burch situa el naixement de la modernitat abans, quan el cinema crea les seves tècniques novel·lesques del llenguatge per convertir-nos en espectadors omnipresents. Després, Burch ha proposat mirades noves sobre el cinema japonès i les maneres de tractar la sexualitat al llarg de més de 100 anys de fabricació de pel·lícules. De tot això ens en parlarà en directe i a través del seus films i dels realitzats per Andersen. Teoria i pràctica.

Written by Comments Off on Thom Andersen & Noël Burch Retrospective in Barcelona

Andersen & Burch Season in Barcelona

Els teòrics fan cinema: Thom Andersen i Noël Burch
17–29 April 2018 at Filmoteca de Catalunya, Barcelona, Spain

For the complete schedule see the Filmoteca de Catalunya website. Noël Burch will be present to introduce Red Hollywood and his documentary series The Silent Revolution: What Do Those Old Films Mean?

Red Hollywood

Thom Andersen i Noël Burch tenen en comú el fet d’haver impartit classes a la universitat (a Califòrnia l’un, a Lilla l’altre), de ser nord-americans, d’interessar-se pel cinema primitiu, de formar-se en el marxisme i d’haver fet un film plegats (Red Hollywood), que també és un llibre comú sobre la caça de bruixes.

Andersen va focalitzar el seu interès en Muybridge i els lligams entre cinema i ciència per revisar també la història de l’anomenat “cinema mut” o la manera com als EUA havien estat desacreditats els blacklisted. Més tard ha indagat sobre la imatge de Los Angeles al cinema. Recentment, el volum Slow Writing: Thom Andersen on Cinema (The Visible Press, setembre 2017) recull diversos articles d’Andersen sobre les avantguardes, els llargmetratges de Hollywood i el cinema contemporani publicats al llarg de cinc dècades.

Noël Burch va començar a ser conegut a casa nostra per la seva Praxis del cine quan la utilització del terme praxis era suficient per identificar a quin corrent pertanyia el teòric. Després, amb El tragaluz del infinito (Ediciones Cátedra, 2006) va posar fi a la divisió de la història del cinema entre “mut” — i primitiu — i “sonor” — i modern. 

Burch situa el naixement de la modernitat abans, quan el cinema crea les seves tècniques novel·lesques del llenguatge per convertir-nos en espectadors omnipresents. Després, Burch ha proposat mirades noves sobre el cinema japonès i les maneres de tractar la sexualitat al llarg de més de 100 anys de fabricació de pel·lícules. De tot això ens en parlarà en directe i a través del seus films i dels realitzats per Andersen. Teoria i pràctica.

Temenos 2016 dates

Temenos site 2008

TEMENOS 2016 will take place from 30 June to 4 July 2016.

Over three nights (Friday to Sunday), ENIAIOS IX – XI will be premiered at the site chosen by the filmmaker, close to the village of Lyssarea in Arcadia, Greece. This is the only place in the world where ENIAIOS can be seen as originally envisioned by Markopoulos.

Thursday 30 June 2016: welcome dinner and reception
Friday 1 July 2016: screening of ENIAIOS cycle IX
Saturday 2 July 2016: screening of ENIAIOS cycle X
Sunday 3 July 2016: screening of ENIAIOS cycle XI

Details of bus transportation from Athens, as well as reservations for accommodation in Loutra Ireas and neighboring villages will be determined at a later date.

International travelers should plan to arrive in Athens on 29 June or early on 30 June. Departing flights out of Athens should not be earlier than 3pm on 4 July.

Please wait for further information before arranging long-distance travel. More details will posted on this site as soon as they are made available.

Sign up to receive details directly from Temenos through the new website at www.thetemenos.org.

About the Authors

Peter Gidal – Flare Out: Aesthetics 1966–2016
Edited by Mark Webber and Peter Gidal
The Visible Press, 2016

Peter Gidal is a renowned writer, theorist and film-maker. He was born in 1946, and studied theatre, psychology and literature at Brandeis University, Massachussets (1964-68) and the University of Munich (1966-67). He was a student of the Royal College of Art from 1968-71 and went on to teach Advanced Film Theory there until 1984. An active member of the London Film-Makers’ Co-operative since 1969, he was its cinema programmer from 1971-74. He was a co-founder of the Independent Film-Makers’ Association in 1975, and served on the British Film Institute Production Board from 1978-81. Peter Gidal’s films have been screened widely, and were featured in retrospectives at the London ICA (1983), Paris Centre George Pompidou (1996), and DocPoint Helsinki (2014). He was the recipient of the Prix de la Recherche Toulon (1974), and his most recent film not far at all (2013) won the 2015 L’Âge d’Or Prize at Cinematek Brussels. Books by Peter Gidal include Andy Warhol: Films and Paintings (Studio Vista, 1971), Structural Film Anthology (BFI, 1976), Understanding Beckett: Monologue and Gesture (Macmillan, 1986), Materialist Film (Routledge, 1988) and Andy Warhol: Blow Job (Afterall, 2008). Gidal’s writings have been published extensively in journals such as Studio International, Screen, October and Undercut, and the exhibition catalogues of Gerhard Richter, Cerith Wyn Evans and Thérèse Oulton.

Mark Webber is a film curator based in London, who has been responsible for major screening events or touring programmes hosted by institutions such as Tate Modern, LUX and ICA (London), Whitney Museum (New York), Centre Georges Pompidou (Paris), Kunsthalle Basel, Oberhausen Kurzfilmtage, IFFR Rotterdam and many international festivals, museums and art centres. He was a programmer for the BFI London Film Festival from 2000-12, and is the editor of Two Films by Owen Land and Film as Film: The Collected Writings of Gregory J. Markopoulos. www.markwebber.org.uk