Category: Slow Writing

Thom Andersen in Paris

From Vienna, Thom Andersen will travel to Paris to present a retrospective at Centre Pompidou. “Slow Writing: Thom Andersen on Cinema” will be available at these programmes, and we are very excited to announce that Noël Burch will also attend the screening of Red Hollywood and will be in discussion with Thom after the film. Full schedule below.

Friday 29 September 2017, at 8pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Saturday 30 September 2017, at 4pm
Thom Andersen, Melting, 
1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––, 
1967, 11 min
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Saturday 30 September 2017, at 8pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min

Sunday 1 October 2017, at 6pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Wednesday 4 October 2017, at 8pm
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

All screenings will take place in Cinema 2 at the Centre Georges Pompidou, .

Thom Andersen at Skylight Books

Slow Writing: Thom Andersen on Cinema Los Angeles book launch at Skylight Books on 12 October 2017, at 7:30pm. Thom will be present to read from, sign, and discuss the new book with writer and poet Tosh Berman.

Slow Writing is a collection of articles by Thom Andersen that reflect on the avant-garde, Hollywood feature films, and contemporary cinema. His critiques of artists and filmmakers as diverse as Yasujirō Ozu, Nicholas Ray, Andy Warhol, and Christian Marclay locate their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape. The city of Los Angeles and its relationship to film is a recurrent theme. These writings, which span a period of five decades, demonstrate Andersen’s social consciousness, humour and his genuine appreciation of cinema in its many forms. Thom Andersen’s films include the celebrated documentary essays Eadweard Muybridge, Zoopraxographer (1975), Red Hollywood (1996), Los Angeles Plays Itself (2003), and The Thoughts That Once We Had (2015). Of the thirty-four texts included in the book, six are hitherto unpublished; others have been revised or appear in different versions to those previously available.

Thom Andersen has lived in Los Angeles for most of his life. His knowledge of and enthusiasm for the city has deeply informed his work, not least his widely praised study of its representation in movies, Los Angeles Plays Itself (2003), which was voted one of the 50 Best Documentaries of All Time in a Sight & Sound critics’ poll. Andersen made his first short films and entered into the city’s film scene as a student of USC and UCLA in the 1960s. His hour-long documentary Eadweard Muybridge, Zoopraxographer (1974) was realised under an AFI scholarship and has lately been restored by the UCLA Film and Television Archive. His research into the victims of the Hollywood Blacklist, done in collaboration with film theorist Noël Burch, produced the video essay Red Hollywood (1996) and book Les Communistes de Hollywood: Autre chose que des martyrs (1994). Andersen’s recent films include Reconversão (2012) on the work of Portuguese architect Eduardo Souto de Moura, and The Thoughts That Once We Had (2015), a personal history of cinema loosely inspired by Gilles Deleuze. A published writer since 1966, Andersen has contributed to journals such as Film Comment, Artforum, Sight and Sound and Cinema Scope. He has taught at the California Institute of the Arts since 1987, and was previously on faculty at SUNY Buffalo and Ohio State University. Also a respected film curator, he has acted as programmer for Los Angeles Filmforum and curated thematic retrospectives for the Viennale. Slow Writing: Thom Andersen on Cinema is the first collection of his essays. 

Tosh Berman is a writer and poet. His two books are Sparks-Tastic (Rare Bird) and a book of poems, The Plum in Mr. Blum’s Pudding (Penny-Ante Editions). He is also the publisher and editor of his press, TamTam Books, which published the works of Boris Vian, Serge Gainsbourg, Guy Debord, Jacques Mesrine, Ron Mael & Russell Mael (Sparks) Gilles Verlant, and Lun*na Menoh. 

With thanks to David Gonzalez and Skylight Books.

Thom Andersen Retrospective in Vienna

We are very pleased to announce that “Slow Writing: Thom Andersen on Cinema” will be launched at the Austrian Film Museum, Vienna, in late September. Thom will be present to introduce a complete retrospective plus additional carte blanche programmes related to the new book. Full schedule below.

Friday 22 September 2017, at 7pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Saturday 23 September 2017, at 7pm
Vikram Jayanti, The Agony and the Ecstacy of Phil Spector, 2009, 103 min

Saturday 23 September 2017, at 9pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Sunday 24 September 2017, at 7pm
Joseph H. Lewis, The Big Combo, 1955, 87 min

Sunday 24 September 2017, at 9pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min

Monday 25 September 2017, at 7pm
Andrew Meyer, An Early Clue to the New Direction, 1966, 28 min
Andrew Meyer, The Match Girl, 1966, 25 min
Warren Sonbert, Hall of Mirrors, 1966, 7 min
David Brooks, Winter, 1964-66, 16 min
Robert Cowan, Rockflow, 1968, 9 min

Monday 25 September 2017, at 9pm
Thom Andersen, Melting, 
1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––, 
1967, 11 min
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

Wednesday 27 September 2017, at 7pm
Ernie Gehr, Autumn, 2017, 30 min
Paul Sharits, Tails, 1976, 5 min
Morgan Fisher, Productions Stills, 1970, 11 min
Morgan Fisher, Picture and Sound Rushes, 1973, 11 min
Morgan Fisher, Cue Rolls, 1974, 6 min
Morgan Fisher, Projection Instructions, 1976, 4 min
James Benning, 9-1-75, 1975, 22 min

Wednesday 27 September 2017, at 9pm
Michael Moore, Capitalism: A Love Story, 2009, 127 min

Thursday 28 September 2017, at 7pm
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, Juke: Passages from
 the Films of Spencer Williams, 2015, 29 min
Thom Andersen & Andrew Kim, California Sun, 
2015, 4 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Thursday 28 September 2017, at 9pm
Pedro Costa, 6 Bagatelles, 2001, 18 min
Claire Denis, 35 Rums, 2008, 100 min

Wednesday  4 October 2017, at 7pm
Thom Andersen, Reconversão, 
2013, 68 min
* Please note that Thom Andersen will not attend this final programme

All screenings will take place at the Austrian Film Museum, Augustinerstraße 1, Vienna 1010, Austria.

Events

Slow Writing: Thom Andersen on Cinema

Slow Writing: Thom Andersen on Cinema will be celebrated at many events beginning in Autumn 2017. This listing will be updated as more events are confirmed.

Sep
22
Fri
Thom Andersen in Vienna @ Österreichisches Filmmuseum
Sep 22 – Sep 29 all-day

Thom Andersen in Vienna

A week-long retrospective, and carte blanche of films selected and presented by Thom Andersen.

Friday 22 September 2017, at 7pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Saturday 23 September 2017, at 7pm
Vikram Jayanti, The Agony and the Ecstacy of Phil Spector, 2009, 103 min

Saturday 23 September 2017, at 9pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Sunday 24 September 2017, at 7pm
Joseph H. Lewis, The Big Combo, 1955, 87 min

Sunday 24 September 2017, at 9pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min

Monday 25 September 2017, at 7pm
Andrew Meyer, An Early Clue to the New Direction, 1966, 28 min
Andrew Meyer, The Match Girl, 1966, 25 min
Warren Sonbert, Hall of Mirrors, 1966, 7 min
David Brooks, Winter, 1964-66, 16 min
Robert Cowan, Rockflow, 1968, 9 min

Monday 25 September 2017, at 9pm
Thom Andersen, Melting, 
1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––, 
1967, 11 min
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

Wednesday 27 September 2017, at 7pm
Ernie Gehr, Autumn, 2017, 30 min
Paul Sharits, Tails, 1976, 5 min
Morgan Fisher, Productions Stills, 1970, 11 min
Morgan Fisher, Picture and Sound Rushes, 1973, 11 min
Morgan Fisher, Cue Rolls, 1974, 6 min
Morgan Fisher, Projection Instructions, 1976, 4 min
James Benning, 9-1-75, 1975, 22 min

Wednesday 27 September 2017, at 9pm
Michael Moore, Capitalism: A Love Story, 2009, 127 min

Thursday 28 September 2017, at 7pm
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, Juke: Passages from
 the Films of Spencer Williams, 2015, 29 min
Thom Andersen & Andrew Kim, California Sun, 
2015, 4 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Thursday 28 September 2017, at 9pm
Pedro Costa, 6 Bagatelles, 2001, 18 min
Claire Denis, 35 Rums, 2008, 100 min

Wednesday  4 October 2017, at 7pm
Thom Andersen, Reconversão, 
2013, 68 min
* Please note that Thom Andersen will not attend this final programme

All screenings will take place at the Austrian Film Museum, Augustinerstraße 1, Vienna 1010, Austria.

Launch event for Slow Writing: Thom Andersen on Cinemea, a collection of essays by Thom Andersen issued by The Visible Press in September 2017.

Sep
30
Sat
Thom Andersen in Paris @ Centre Pompidou
Sep 30 – Oct 5 all-day

Thom Andersen in Paris

Thom Andersen retrospective in the presence of the filmmaker.

Friday 29 September 2017, at 8pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Saturday 30 September 2017, at 4pm
Thom Andersen, Melting, 
1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––, 
1967, 11 min
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Saturday 30 September 2017, at 8pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min
followed by a discussion with Thom Andersen and Noël Burch

Sunday 1 October 2017, at 6pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Wednesday 4 October 2017, at 8pm
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

All screenings will take place in Cinema 2 at the Centre Georges Pompidou, .

Launch event for Slow Writing: Thom Andersen on Cinemea, a collection of essays by Thom Andersen issued by The Visible Press in September 2017.

Oct
14
Sat
Festival of Disruption @ The Theatre at Ace Hotel
Oct 14 – Oct 15 all-day

The Festival of Disruption

Thom Andersen’s film Los Angeles Plays Itself will screen at the Festival of Disruption, a benefit for the David Lynch Foundation, on 14 or 15 October 2017. More details to follow.

This event coincides with the launch of Slow Writing: Thom Andersen on Cinemea, a collection of essays by Thom Andersen issued by The Visible Press in September 2017.

About the Authors

Slow Writing: Thom Andersen on Cinema
Edited by Mark Webber
The Visible Press, September 2017

Thom Andersen has lived in Los Angeles for most of his life. His knowledge of and enthusiasm for the city has deeply informed his work, not least his widely praised study of its representation in movies, Los Angeles Plays Itself (2003), which was voted one of the 50 Best Documentaries of All Time in a Sight & Sound critics’ poll. Andersen made his first short films and entered into the city’s film scene as a student of USC and UCLA in the 1960s. His hour-long documentary Eadweard Muybridge, Zoopraxographer (1974) was realised under an AFI scholarship and has lately been restored by the UCLA Film and Television Archive. His research into the victims of the Hollywood Blacklist, done in collaboration with film theorist Noël Burch, produced the video essay Red Hollywood (1996) and book Les Communistes de Hollywood: Autre chose que des martyrs (1994). Andersen’s recent films include Reconversão (2012) on the work of Portuguese architect Eduardo Souto de Moura, and The Thoughts That Once We Had (2015), a personal history of cinema loosely inspired by Gilles Deleuze. A published writer since 1966, Andersen has contributed to journals such as Film Comment, Artforum, Sight & Sound and Cinema Scope. He has taught at the California Institute of the Arts since 1987, and was previously on faculty at SUNY Buffalo and Ohio State University. Also distinguished for his skills as a film curator, he has acted as programmer for Los Angeles Filmforum and curated thematic retrospectives for the Viennale. Slow Writing: Thom Andersen on Cinema is the first collection of his essays.

Mark Webber is a film curator based in London, who has been responsible for major screening events or touring programmes hosted by institutions such as Tate Modern, LUX and ICA (London), Whitney Museum (New York), Centre Georges Pompidou (Paris), Oberhausen Kurzfilmtage, IFFR Rotterdam and international festivals, museums and art centres. He was a programmer for the BFI London Film Festival from 2000-12, and is also the editor of Two Films by Owen Land, Film as Film: The Collected Writings of Gregory J. Markopoulos, Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative 1966-76 and co-editor of Flare Out: Aesthetics 1966–2016. www.markwebber.org.uk