Jonas Mekas on Markopoulos
A previously unpublished diary entry by Jonas Mekas has been published by The Brooklyn Rail to run alongside Markopoulos’ important essay “Towards a Complete Order” (1974). In this text, Markopoulos writes about the moment in which he decides to re-edit his entire body of work into what became Eniaios. “… the prints that now exist have become but work prints, a fitting jest to the speculators of my work, known and unknown.”
Jonas Mekas was one of Markopoulos’ most faithful and enthusiastic supporters. In his diary entry, which dates from 1965, Mekas recalls Markopoulos’ extraordinary and assured method of editing – “Gregory was editing, with film strips hanging down from the ceiling to the floor, so that the south side of his room looked like a willow tree …” – perfectly describing the photograph by Jerome Hiler that appears on the cover of Film as Film.
These articles appear in the Dec/Jan print issue of The Brooklyn Rail but are also online here.
Give “Film as Film” This Christmas !
“In all this vastness, within a grandeur of purpose, Searching, standard is being established. In the morning sky, a brilliant star is visible above this Winter. Still another star, suspended near the moon in the clear crisp air Wills the place; the many worked sites of the temenoi, towards the Temenos.”
—– Gregory J. Markopoulos, Entheos
—– 31st of December, 1978
It is almost too late to receive mail order copies of Film as Film: The Collected Writings of Gregory J. Markopoulos before Christmas 2014, but the book is currently available for purchase at several select outlets in Europe and North America.
BFI Southbank Shop
Koenig Books Charing Cross Road
Koenig Books Museumsquartier
Re:Voir / The Film Gallery
Jeu de Paume Librairie
Centre George Pompidou / Flammarion
EYE filmmuseum Store
New York City, USA
Anthology Film Archives
Wexner Center Store
San Francisco, California
Santa Barbara, California
If there is a shop, cinematheque or museum store that you think should be stocking our publications then please let us know by sending a message using this link.
Alexander Horwath on Film as Film
Alexander Horwath is the director of the Österreichisches Filmmuseum, where a major retrospective of films by Gregory J. Markopoulos will be presented from 19-24 November 2014. See here for details of the programme on the Filmmuseum website.
“In 1955, roughly at mid-point between now and when cinema began, the 27-year-old filmmaker Gregory J. Markopoulos summoned the names of Griffith, Ince, Stroheim, Eisenstein, Murnau, Sternberg and Dreyer in a lecture titled “The Responsibility of the Cinema In Our Age”. This lineage is not a marginal aspect in the supremely important body of personal film work signed by Markopoulos, nor in his writings that are now available in a beautiful and far-reaching collection. It isn’t a marginal aspect because there is only one cinema – and neither Vertov nor Hitchcock, let’s say, nor Markopoulos can be separated from it. In order for the practice (and the genius) of cinema to be understood in the future, we should cease from splitting off some of the medium’s core achievements into segregated ‘special domains’. The validity of such rubrics and handicaps, mostly invented and held up by commercial or academic interests, will pass into oblivion faster than celluloid itself.
“All who have dreamed of a single library shelf where the collected writings of cinema’s great practitioners can stand side-by-side – Claire Denis next to Alexander Dovzhenko, Kubelka next to Keaton, Weerasethakul next to Welles – should be extremely grateful that now, right next to the spot reserved for Mizoguchi, Book Number One is finding its place on that shelf. Film as Film, with its contents ranging from critical essays to poetry – all part of an autobiography – is not just a great read for anyone interested in film as an art form … It’s also a double inspiration: to young artists who are just beginning to test their respective tools, training their eyes, ears, hands and machines on the world to achieve something beyond imitation; as well as to those who have not yet seen enough of the actual films made by Gregory J. Markopoulos. To quote the title of one of his masterpieces: this book is the Galaxie of Markopoulos moments, ninety-one intense spotlights from the artist’s life as a writer.”
—– Alexander Horwath
Film as Film; The Collected Writings of Gregory J. Markopoulos is available for purchase at the Austrian Film Museum, priced 25 Euros.
Luke Fowler on Film as Film
Luke Fowler reflects on Markopoulos’ films and writings ahead of the event at Tate Modern, London, next Friday.
“Gregory Markopoulos has been in my thoughts since his masterpiece Bliss inspired me to pick up a Bolex camera several years ago. This book collects many of Markopoulos’ strident and inspirational writings providing a wealth of experiences and provocations for future filmmakers and scholars everywhere. This publication, as well as the monumental Temenos screenings in Greece, will help to establish Markopoulos as one of the single most important filmmakers of the American avant-garde.”
—– Luke Fowler
Psyche, Bliss and Gammelion will be projected at the event on 31 October 2014. The films will be interspersed with readings from Film as Film: The Collected Writings of Gregory J. Markopoulos, which will be available for purchase throughout the event.
Rebekah Rutkoff’s review of “Film as Film” is now online at Bookforum.
“The full and varied spectrum of Markopoulos’s modes of composition and expression (including poetic prose, spiritual anthem, aphorism, diatribe, manifesto) on display in Film as Film is not simply an annex to his filmmaking; it is an integral and inseparable component of the filmmaker’s creation. For the first time, readers can behold, in great personal and historical detail, the steady unfurling of his remarkable vision-in-formation and respond.”