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August 23, 2019

Typofilm / Lis Rhodes

Typofilm: Lis Rhodes / Light Reading

Lis Rhodes, Light Reading, 1978, 20 min
& other works
Introduced by María Palacios Cruz

Amanuensis Unwinds (Lis Rhodes, 1973-2019)

An emblematic figure of the British scene, Lis Rhodes made Light Reading in 1978, an experimental and feminist film noir. Through its voice-over, an investigation into the grammar of gaze and language is developed.

In this artist’s productions, the work of writing maintains a poetic relationship with the presence of the text in its material, handwritten or typographical consistency.

The session is presented by María Palacios Cruz, editor of Telling Invents Told, an anthology of writings by Lis Rhodes published by The Visible Press in 2019.

The screening is part of the “TypoFilm” project, developed within the framework of the ArTeC University Research School, and is organised to coincide with the Extra! 2022 Festival of Literature.

Copies of Telling Invents Told will be available for purchase at the event.

July 4, 2014

Film as Film at Anthology Film Archives

Markopoulos season at Anthology Film Archives, September 2014

The first events to take place following the publication of Film as Film will be a season of four screenings at Anthology Film Archives in New York, from 8-13 September 2014. Beginning with an evening of Markopoulos’ earliest films, the programmes will continue with the first films made by the filmmaker after his relocation to Europe.

“There is no language. There is no art. There is no knowledge. There is but film as film: the beginning and the eternal moment.” (The Intuition Space, 1973)

Gregory J. Markopoulos (1928-92) is one of the most original filmmakers to emerge from the post-war avant-garde. His films, which often translated literary or mythological sources to a contemporary context, are celebrated for their extraordinary creativity, the sensuous use of colour and innovations in cinematic form. A co-founder of the New American Cinema Group, Markopoulos was actively involved in nurturing New York’s film community before moving to Europe at the end of the 1960s to pursue a more individual path. Firmly believing that a filmmaker should be responsibility for all aspects of his work, he developed the idea of Temenos, a monographic archive for the preservation, presentation and study of his films.

In parallel to his filmmaking, Markopoulos was a prolific writer whose articles were circulated in journals, self-published editions or programme notes. This screening series celebrates the publication of Film as Film: The Collected Writings of Gregory J. Markopoulos, a new book that gathers together some ninety out-of-print or previously unavailable texts by the filmmaker.

This is an extremely rare opportunity to see Markopoulos’ earliest works, shown alongside some of the first films made in Europe following his departure from the US in 1967. Robert Beavers and Mark Webber will be present and the book will be available for purchase at the screenings.

Curated by Mark Webber, in collaboration with Robert Beavers and Temenos Archive.

Visit the calendar for details of each screening, or view the programme on the Anthology Film Archives website.

October 5, 2014

Gregory Markopoulos Book Launch

Gregory Markopoulos Book Launch

Gregory J. Markopoulos, The Mysteries, 1968, 80 min

In celebration of the publication of Film as Film: The Collected Writings of Gregory J. Markopoulos, edited by Mark Webber, we are happy to show Markopoulos’ The Mysteries.

The Mysteries was made in Munich, Spring 1968, during the same period in which Markopoulos directed two opera pieces for German television. (Rosa von Praunheim was his assistant on all three projects.) Writing in Artforum, Kristin M. Jones described the film as “… a mournful work in which, as in many of the earlier films, the rhythmic repetition of imagery evokes poetic speech, and changes in costume emphasize shifts in time, space, and emotion. Here, a young man’s struggles with memories of love and intimations of death are set alternately to deafening silence and the music of Wagner.”

“In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding. In this lies the mystery. All else is irrelevant. That there are other sub-currents of equal power in The Mysteries goes without saying; and, those who are capable of the numerous visual visitations and annunciations which the film offers them will realise what is the Ultimate Mystery of my work.” (Gregory Markopoulos, Disclosed Knowledge, 1970)

A limited number of copies of Film as Film: The Collected Writings of Gregory J. Markopoulos, will be available at the screening for $35.

September 21, 2017

The Thoughts That Once We Had / NYC Book Launch

The Thoughts That Once We Had
“Slow Writing” New York Book Launch

Thom Andersen, The Thoughts That Once We Had, 2015, 108 min
Introduced by Sukhdev Sandhu

“To those who have nothing must be restored … the cinema”

The Thoughts That Once We Had is a personal history of cinema by America’s preeminent film essayist Thom Andersen. In conversation with the theoretical writings of Gilles Deleuze, the director of landmark features such as Red Hollywood (1996) and Los Angeles Plays Itself (2003) plunders the cine-archive, assembles unidentified footage from across the twentieth century, and creates a mordant, memory-marinated exploration of film past and film future.

This special screening also marks the New York launch of Slow Writing: Thom Andersen on Cinema (The Visible Press, 2017). The director’s first collection of writings, it gathers texts – some going back as far as 1966, some unpublished, others originating in Artforum, Film Comment, and Cinema Scope – that address the avant-garde, documentary, installations, exploitation films, film noir. Knowledgeable, plain spoken, socially conscious and dryly witty, Andersen reflects upon the likes of Pedro Costa, Nicholas Ray, Andy Warhol and Christian Marclay and locates their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape.

Copies of Slow Writing: Thom Andersen on Cinema will be available for sale at the screening for a reduced price of $30 per copy.

Presented by the NYU Center for Experimental Humanities in association with Grasshopper Film. With the help of Mark Webber, Thom Andersen, Flaherty Film Seminar.

August 23, 2019

Lis Rhodes: Light Music & Book Launch

Lis Rhodes: Light Music & Book Launch

Lis Rhodes, Light Music, 1975-77, 25 mins
Expanded Cinema performance introduced by María Palacios Cruz

Una sesión entorno al trabajo de la artista y cineasta británica Lis Rhodes a propósito de la publicación de la antología de sus escritos Telling Invents Told editada por María Palacios Cruz (Elias Querejeta Zine Eskola) y publicada por The Visible Press, con una presentación especial de Light Music (Lis Rhodes, 1975-77), obra clave del cine expandido europeo.

En Light Music, Rhodes propone una correlación total entre sonido e imagen: “lo que se ve es lo que escucha”. Obra de gran carácter lúdico y participativo que incluye al público situado entre las dos pantallas de proyección, se trata también de una declaración feminista que pretende subrayar la falta de mujeres dentro del canon de la música clásica europea. A la vez proyección, instalación, performance y concierto, Light Music es una “película” que interroga y expande el lenguaje cinematográfico, así como la relación del cine a las otras artes.

La proyección de Light Music será seguida por una conversación con María Palacios Cruz sobre Lis Rhodes y Telling Invents Told, con lecturas del libro.

Copies of Telling Invents Told will be available for purchase at the event.