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John Smith on Peter Gidal

“Thank you for depriving me of so much”

John Smith reflects on his experiences as a student of Peter Gidal at the Royal College of Art in an article on the LUX website. Read the complete text here.

“I learnt through our often heated and invariably politicised discussions that you didn’t have to like a film to get something from it, and that arguments can be stimulating and enjoyable. I realised that what you actually film is secondary to how you control its representation, that a film’s ‘drama’ can as easily be created by its material construction as its subject matter, and that meaning in film (and life) is infinitely malleable. Perhaps most importantly for my own work, I realised that filmic construction can transform the ordinary into the extraordinary and that the most intense and engaging experiences can be generated by films that withhold or ration information and allow their viewers to imagine.”

“Film as Film” coming soon

Film as Film: The Collected Writings of Gregory J. Markopoulos
Edited by Mark Webber, with a foreword by P. Adams Sitney
The Visible Press, September 2014

Film as Film: The Collected Writings of Gregory J. Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.

ISBN: 978-0-9928377-0-9
Price £20 / €25 / $30
Order now direct from The Visible Press

Hardcover
220 x 141 x 35 mm
560 pages, including 16pp of colour images

Square-backed case, debossed front cover
Ribbon marker, head and tail bands
Individually shrinkwrapped

To receive further information on the book, please send us a message using this link.

Thom Andersen & Noël Burch Retrospective in Barcelona

Els teòrics fan cinema: Thom Andersen i Noël Burch
17–29 April 2018 at Filmoteca de Catalunya, Barcelona, Spain

Thom Andersen i Noël Burch tenen en comú el fet d’haver impartit classes a la universitat (a Califòrnia l’un, a Lilla l’altre), de ser nord-americans, d’interessar-se pel cinema primitiu, de formar-se en el marxisme i d’haver fet un film plegats (Red Hollywood), que també és un llibre comú sobre la caça de bruixes.

Andersen va focalitzar el seu interès en Muybridge i els lligams entre cinema i ciència per revisar també la història de l’anomenat “cinema mut” o la manera com als EUA havien estat desacreditats els blacklisted. Més tard ha indagat sobre la imatge de Los Angeles al cinema. Recentment, el volum Slow Writing: Thom Andersen on Cinema (The Visible Press, setembre 2017) recull diversos articles d’Andersen sobre les avantguardes, els llargmetratges de Hollywood i el cinema contemporani publicats al llarg de cinc dècades.

Noël Burch va començar a ser conegut a casa nostra per la seva Praxis del cine quan la utilització del terme praxis era suficient per identificar a quin corrent pertanyia el teòric. Després, amb El tragaluz del infinito (Ediciones Cátedra, 2006) va posar fi a la divisió de la història del cinema entre “mut” — i primitiu — i “sonor” — i modern. 

Burch situa el naixement de la modernitat abans, quan el cinema crea les seves tècniques novel·lesques del llenguatge per convertir-nos en espectadors omnipresents. Després, Burch ha proposat mirades noves sobre el cinema japonès i les maneres de tractar la sexualitat al llarg de més de 100 anys de fabricació de pel·lícules. De tot això ens en parlarà en directe i a través del seus films i dels realitzats per Andersen. Teoria i pràctica.

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Books by The Visible Press

FILM AS FILM: THE COLLECTED WRITINGS OF GREGORY J. MARKOPOULOS
Edited by Mark Webber, with a foreword by P. Adams Sitney
ISBN: 978-0-9928377-0-9 (HB) 978-0-9928377-3-0 (PB)
Price: £50 (HB) £20 (PB) + shipping
Published: 1 September 2014 (HB) 12 December 2017 (PB)

FLARE OUT: AESTHETICS 1966–2016
Peter Gidal, edited by Mark Webber & Peter Gidal
ISBN: 978-0-9928377-1-6
Price: £18 + shipping
Published: 11 April 2016

SLOW WRITING: THOM ANDERSEN ON CINEMA
Thom Andersen, edited by Mark Webber
ISBN: 978-0-9928377-2-3
Price: £20 + shipping
Published: 11 September 2017

LIS RHODES: TELLING INVENTS TOLD
Lis Rhodes, edited by María Palacios Cruz
ISBN: 978-0-9928377-4-7
Price: £22 + shipping
Published: 10 June 2019

THE AFTERIMAGE READER
Edited by Mark Webber
ISBN: 978-0-9928377-6-1
Price: £25 + shipping
Published: 23 May 2022

For trade orders and distribution email contact@thevisiblepress.com

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Two Recent Publications

The Visible Press recommends two recent publications that should be of interest to readers of our Gregory Markopoulos book “Film as Film” :-

Robert Beavers
Edited by Rebekah Rutkoff
Published by the Austrian Film Museum, 2017
ISBN: 9783901644696

This first monograph on the films of Robert Beavers is another beautifully designed book in the FilmmuseumSynemaPublikationen series from the Austrian Film Museum, Vienna. It comprises eleven newly commissioned essays by authorities such as P. Adams Sitney, Haden Guest, Susan Oxtoby and Kristin M. Jones, reprints of historical articles by Jonas Mekas, René Micha and Tom Chomont, and the filmmaker’s own rarely seen writings. A wealth of film stills are included alongside a bibliography and annotated filmography. Gregory Markopoulos’ first text on Robert Beavers, “10th of July, 1967”, which opens the chapter on Beavers in Film as Film, is also featured.

After Uniqueness: A History of Film and Video Art in Circulation
By Erika Balsom
Published by Columbia University Press, 2017
ISBN: 9780231176934

Erika Balsom’s new book After Uniqueness: A History of Film and Video Art in Circulation explores the problematics of reproducibility in film and moving image art by analysing various models of distribution and collecting. Of particular interest is a chapter on Gregory Markopoulos and his unique approach to distribution and exhibition. The author’s research of documents in the Temenos Archive has uncovered new details on the motives and aspirations that drove the filmmaker to follow a singular path.