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Slow Writing Los Angeles Launch

Slow Writing Book Launch

For the Los Angeles launch of Slow Writing, filmmaker Thom Andersen will be in discussion with author and poet Tosh Berman. Copies of the book will be available for purchase and signing.

Thom Andersen has lived in Los Angeles for most of his life, and his knowledge of and enthusiasm for the city has deeply informed his work, not least his widely praised study of its representation in movies, Los Angeles Plays Itself (2003). His other films include Eadweard Muybridge, Zoopraxographer (1974), Red Hollywood (1996, made with NoĂ«l Burch), Get Out of the Car (2010) and The Thoughts That Once We Had (2015). Andersen has contributed to journals such as Film Comment, Artforum, Sight and Sound and Cinema Scope, and has taught at the California Institute of the Arts since 1987. Slow Writing: Thom Andersen on Cinema is the first collection of his essays. 

Tosh Berman is a writer and poet. His two books are Sparks-Tastic (Rare Bird) and a book of poems, The Plum in Mr. Blum’s Pudding (Penny-Ante Editions). He is also the publisher and editor of his press, TamTam Books, which published the works of Boris Vian, Serge Gainsbourg, Guy Debord, Jacques Mesrine, Ron Mael & Russell Mael (Sparks) Gilles Verlant, and Lun*na Menoh. 

With thanks to David Gonzalez and Skylight Books.

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Screening: Lis Rhodes – Telling Invents Told

Screening: Lis Rhodes – Telling Invents Told

Lis Rhodes, Notes From Light Music, 1975-77, 12 min
Lis Rhodes, Pictures on Pink Paper, 1982, 35 min
Lis Rhodes, Hang on A Minute / No. 8 Bus, 1983, 1 min
Lis Rhodes, Orifso, 1999, 12 min
Lis Rhodes, Riff, 2004, 18 min

A screening selected and introduced by artist, curator and writer Lucy Reynolds. This is the first of a two-part Glasgow book launch for Telling Invents Told,  a collection of writings by artist and filmmaker Lis Rhodes, published by The Visible Press earlier this year. The book’s editor MarĂ­a Palacios Cruz will host a reading and discussion at Glasgow Womens’ Library the following afternoon.

“Lis Rhodes is an artist who takes words seriously, whether spoken, on the page or on the screen. Telling Invents Told draws together texts and images from across a career committed to unpicking the power relations of language. The book provides a rich inventory of texts written for a range of purposes: to accompany film images, to question established histories and advocate for the women left out of them, and, in extracts from her recent visual essay Journal of Disbelief, to call out injustices in all of their many forms. This indispensable volume offers a valuable opportunity to appreciate the inventiveness of Rhodes’ writing and its vital role in understanding her art.” (Dr. Lucy Reynolds, University of Westminster, London)

Copies of Telling Invents Told will be available for purchase at a reduced price.

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Give “Film as Film” This Christmas !

Give “Film as Film” This Christmas !

“In all this vastness, within a grandeur of purpose, Searching, standard is being established. In the morning sky, a brilliant star is visible above this Winter. Still another star, suspended near the moon in the clear crisp air Wills the place; the many worked sites of the temenoi, towards the Temenos.”
—– Gregory J. Markopoulos, Entheos
—– 31st of December, 1978

It is almost too late to receive mail order copies of Film as Film: The Collected Writings of Gregory J. Markopoulos before Christmas 2014, but the book is currently available for purchase at several select outlets in Europe and North America.

London, UK
BFI Southbank Shop
ICA Shop
Koenig Books Charing Cross Road
LUX Shop

Vienna, Austria
Österreichisches Filmmuseum
Koenig Books Museumsquartier

Paris, France
Re:Voir / The Film Gallery
Jeu de Paume Librairie
Centre George Pompidou / Flammarion

Berlin, Germany
Pro-QM

Amsterdam, Netherlands
EYE filmmuseum Store

New York City, USA
Anthology Film Archives
Book Culture

Columbus, USA
Wexner Center Store

San Francisco, California
SF Cinematheque

Santa Barbara, California
Chaucer’s Books

Toronto, Canada
TIFF Shop
Images Festival

If there is a shop, cinematheque or museum store that you think should be stocking our publications then please let us know by sending a message using this link.

Los Angeles Plays Itself

Los Angeles Plays Itself

Thom Andersen, Los Angeles Plays Itself, 2003, 170 min

Thom Andersen will sign copies of his book Slow Writing: Thom Andersen on Cinema in the theatre lobby from 6:30 p.m., and will participate in a discussion after the screening.

Los Angeles Plays Itself

Southern California practically bleeds celluloid; virtually everywhere you turn, you’ll see a location that has doubled as a film set. Director Thom Andersen plays private eye in this sardonic video essay, revisiting the scenes of cinematic crimes and triumphs and unraveling the tangled relationship between the movies and our metropolis. Both Los Angeles history buffs and cinema enthusiasts will marvel at the hundreds of archival and film clips revealing an almost secret history of the City of Angels. A Cinematheque favorite!

In the Los Angeles Times, Kenneth Turan called Los Angeles Plays Itself “the best documentary ever made about Los Angeles.” On the occasion of the 10th anniversary of its premiere at the Toronto International Film Festival, Thom Andersen’s sardonic video essay about the tangled relationship between the movies and our metropolis was remastered and re-edited. It’s funnier, sharper and bigger, and it’s now really a double feature. No matter how many times you’ve seen it before, you will be blown away by the new version on the big screen!

Book signing hosted by legendary Hollywood emporium Larry Edmunds Bookshop, with thanks to Jeff Mantor. Slow Writing: Thom Andersen on Cinema will be available at their store following this screening. Big thanks also to Lacy Soto at Artbook LA.

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Walden presents: Peter Gidal

Walden presents: Peter Gidal

Peter Gidal, Portrait Subject Object, 1967, 10 min
Peter Gidal, Still Andy, 1968, 4 min
Peter Gidal, Untitled, 1978, 9 min
Peter Gidal, Epilogue, 1978, 9 min
Peter Gidal, Kopenhagen 1930, 1977, 40 min
Peter Gidal, not far at all, 2013, 15 min

“The question of making things difficult for the spectator in my films is absolutely crucial and historically so, because that is where the break always comes. In the cinema, more than any other art form, the question of difficulty is always raised. With other things there are conventions: for example, it’s okay to spend until two o’clock in the morning checking a difficult footnote in a book; difficult paintings are okay because you can walk past them in seconds. But film has an authoritarian structure built into its mechanism in terms of time, being held there for a period of time, which is why most film goes out of its way to avoid precisely that as an issue, whereas my work goes out of its way to raise it as one.”

Peter Gidal föddes 1946 och vĂ€xte upp i Schweiz. Efter att ha studerat psykologi och tysk litteratur vid Brandeis University och universitetet i MĂŒnchen började han pĂ„ Royal College of Art i London. Det var ocksĂ„ hĂ€r han pĂ„ allvar började med film. PĂ„ 1960-talet visades hans filmer pĂ„ New Arts Lab i Drury Lane och London Film Makers’ Co-op, som han ocksĂ„ hjĂ€lpte till att etablera. Peter Gidals filmer tillhör en formalistisk och materiellt utforskande tradition inom experimentfilmen, dĂ€r aspekter som den fotokemiska filmens kornighet, och materialets varaktighet, tempo och redigeringsstrukturer intar en central roll. Han har Ă€ven varit flitig som polemisk filmteoretiker med böcker som Structural Film Anthology (1974), Materialist Film (1989) och en bok om Samuel Beckett (1986). Flertalet av hans mest centrala texter samlades i volymen Flare Out: Aesthetics 1966–2016, som gavs ut av The Visible Press 2016.

Alla filmer visas pÄ 16 mm. Tack till Lux och Visible Press.

Copies of Peter Gidal’s book “Flare Out: Aesthetics 1966–2016” will be available at the screening.

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