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September 20, 2016

Peter Gidal in Brussels, October 2016

Peter Gidal will be a special guest of this year’s L’age d’or Festival. Three programmes of Gidal’s films will be shown from 7-10 October 2016 at the Brussels Cinematek. Peter Gidal will be present for the first two screenings, and Mark Webber will attend all three.

The festival’s second retrospective is devoted to Lebanese artists Joana Hadjithomas and Khalil Joreig. In addition to the competition programme, the festival also includes a special focus on US West Coast filmmakers that features Bruce Baillie, Chick Strand, Robert Nelson and others preserved by the Academy Film Archive. It opens with live soundtracks for films by Pierre Clementi and the world premiere of Brecht Debackere’s documentary on Jacques Ledoux’s legendary EXPRMNTL festivals.

Details of the Gidal screenings are below and on the EVENTS page. The complete festival programme can be downloaded from the L’age d’or site.

INTRODUCTION TO PETER GIDAL
BRUSSELS, L’AGE D’OR FESTIVAL 2016

Friday 7 October 2016, at 9pm
Peter Gidal, Clouds, 1969, 10 min
Peter Gidal, Flare Out, 1992, 20 min
Peter Gidal, Volcano, 2002, 30 min
Peter Gidal, not far at all, 2013, 15 min

Saturday 8 October 2016, at 3pm
Peter Gidal, Hall, 1968-69, 10 min
Peter Gidal, Key, 1968-69, 10 min
Peter Gidal, Room Film 1973, 1973, 46 min (at 18fps)

Sunday 9 October 2016, at 4pm
Peter Gidal, Assumption, 1997, 1 min
Peter Gidal, Epilogue, 1978, 9 min
Peter Gidal, C/O/N/S/T/R/U/C/T, 1974/2016, 13 min
Peter Gidal, Condition of Illusion, 1975, 30 min
Peter Gidal, Coda I, 2013, 2 min
Peter Gidal, Coda II, 2013, 2 min
This programme will be repeated on Monday 10 October 2016, at 6pm.

Peter Gidal’s book Flare Out: Aesthetics 1966-2016 will be on sale in the Cinematek lobby.

Order “Film as Film”

Please Note: This edition of Film as Film is almost sold out. We have increased the price of the few remaining copies to raise additional funds for Temenos and to support the continuation of The Visible Press.

To order Film as Film: The Collected Writings of Gregory J. Markopoulos, please choose your shipping destination from the drop-down menu and use the PayPal link below.

These prices include postage and packaging to your selected destination by Royal Mail 1st Class Signed For or International Tracked & Signed.

Contact us by email if you would like to order multiple copies or have a specific request or question. Please also email if you would prefer to use other shipping methods such as tracked or surface mail.

The first edition of Film as Film was a limited run of 1000 copies. We appreciate the support of all who have purchased the book. Income from sales was initially used recoup the production costs. Subsequent profits have benefitted Temenos in order to support the ongoing preservation of Markopoulos’ work, and will also enable future publications from The Visible Press.

August 23, 2017

Thom Andersen Retrospective in Vienna

We are very pleased to announce that “Slow Writing: Thom Andersen on Cinema” will be launched at the Austrian Film Museum, Vienna, in late September. Thom will be present to introduce a complete retrospective plus additional carte blanche programmes related to the new book. Full schedule below.

Friday 22 September 2017, at 7pm
Thom Andersen, Los Angeles Plays Itself, 2003, 169 min

Saturday 23 September 2017, at 7pm
Vikram Jayanti, The Agony and the Ecstacy of Phil Spector, 2009, 103 min

Saturday 23 September 2017, at 9pm
Thom Andersen, The Thoughts That Once We Had, 2015, 108 min

Sunday 24 September 2017, at 7pm
Joseph H. Lewis, The Big Combo, 1955, 87 min

Sunday 24 September 2017, at 9pm
Thom Andersen & Noël Burch, Red Hollywood, 1996, 118 min

Monday 25 September 2017, at 7pm
Andrew Meyer, An Early Clue to the New Direction, 1966, 28 min
Andrew Meyer, The Match Girl, 1966, 25 min
Warren Sonbert, Hall of Mirrors, 1966, 7 min
David Brooks, Winter, 1964-66, 16 min
Robert Cowan, Rockflow, 1968, 9 min

Monday 25 September 2017, at 9pm
Thom Andersen, Melting,  1965, 6 min
Thom Andersen, Olivia’s Place, 1966/74, 6 min
Thom Andersen & Malcolm Brodwick, ––– –––––––,  1967, 11 min
Thom Andersen, Eadweard Muybridge, Zoopraxographer, 1974, 59 min

Wednesday 27 September 2017, at 7pm
Ernie Gehr, Autumn, 2017, 30 min
Paul Sharits, Tails, 1976, 5 min
Morgan Fisher, Productions Stills, 1970, 11 min
Morgan Fisher, Picture and Sound Rushes, 1973, 11 min
Morgan Fisher, Cue Rolls, 1974, 6 min
Morgan Fisher, Projection Instructions, 1976, 4 min
James Benning, 9-1-75, 1975, 22 min

Wednesday 27 September 2017, at 9pm
Michael Moore, Capitalism: A Love Story, 2009, 127 min

Thursday 28 September 2017, at 7pm
Thom Andersen, Get Out of the Car, 2010, 34 min
Thom Andersen, The Tony Longo Trilogy, 2014, 14 min
Thom Andersen, Juke: Passages from  the Films of Spencer Williams, 2015, 29 min
Thom Andersen & Andrew Kim, California Sun,  2015, 4 min
Thom Andersen, A Train Arrives at the Station, 2016, 16 min

Thursday 28 September 2017, at 9pm
Pedro Costa, 6 Bagatelles, 2001, 18 min
Claire Denis, 35 Rums, 2008, 100 min

Wednesday 4 October 2017, at 7pm
Thom Andersen, Reconversão,  2013, 68 min
* Please note that Thom Andersen will not attend this final programme

All screenings will take place at the Austrian Film Museum, Augustinerstraße 1, Vienna 1010, Austria.

Slow Writing £20

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March 7, 2016

Shoot Shoot Shoot (exhibition)

Shoot Shoot Shoot: The London Film-Makers’ Co-operative 1966–1976

This exhibition traces the first decade of the London Film-Makers’ Co-operative through a selection of documents, ephemera and films from the period. The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process. Many explored the material aspects of celluloid, whilst others experimented with multiple projection and performance-based ‘expanded cinema’. Despite the physical hardship of its survival, this artist-led organisation asserted the significance of British work internationally, and contributed towards today’s vibrant culture of artists’ moving image.

Curated by Mark Webber. Presented by LUX in association with the British Artists’ Film and Video Study Collection.

The book “Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative & British Avant-Garde Film 1966-76” will be published by LUX in October 2016.