Telling Invents Told

Lis Rhodes: Telling Invents Told
Edited by María Palacios Cruz
The Visible Press, June 2019

Telling Invents Told is the first collection of writings by artist and filmmaker Lis Rhodes. It includes the influential essay Whose History? alongside texts from works such as Light Reading, Pictures on Pink Paper and A Cold Draft, together with new and previously unpublished materials. Since the 1970s, Rhodes has been making radical and experimental work that challenges hegemonic narratives and the power structures of language. Her writing addresses urgent political issues – from the refugee crisis to workers’ rights, police brutality, racial discrimination and homelessness – as well as film history and theory, from a feminist perspective. An important figure at the London Film-Makers’ Co-operative, Rhodes was also a founding member of Circles, the first British distributor of film, video and performance by women artists.

Paperback
336 pages, with b/w & colour images throughout
ISBN: 978-0-9928377-4-7

190 x 150 x 22 mm
Embossed cover
Individually shrinkwrapped

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Film as Film (PB)

Film as Film: The Collected Writings of Gregory J. Markopoulos
Edited by Mark Webber, with a foreword by P. Adams Sitney
The Visible Press, December 2017 (paperback)

Film as Film: The Collected Writings of Gregory J. Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.

ISBN: 978-0-9928377-3-0

Paperback
203 x 127 x 35 mm
544 pages, black and white, revised filmography

NB: As the original hardback goes out of print, we have produced a new paperback edition to keep these important texts in print. The 2017 edition contains a revised filmography, but does not include the 16pp section of colour images that appears in the original publication.

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Slow Writing

Slow Writing: Thom Andersen on Cinema
Edited by Mark Webber
The Visible Press, September 2017

Slow Writing is a collection of articles by Thom Andersen that reflect on the avant-garde, Hollywood feature films, and contemporary cinema. His critiques of artists and filmmakers as diverse as Yasujirō Ozu, Nicholas Ray, Andy Warhol, and Christian Marclay locate their work within the broader spheres of popular culture, politics, history, architecture, and the urban landscape. The city of Los Angeles and its relationship to film is a recurrent theme. These writings, which span a period of five decades, demonstrate Andersen’s social consciousness, humour and his genuine appreciation of cinema in its many forms. Thom Andersen’s films include the celebrated documentary essays Eadweard Muybridge, Zoopraxographer (1975), Red Hollywood (1996), Los Angeles Plays Itself (2003), and The Thoughts That Once We Had (2015).

ISBN: 978-0-9928377-2-3

Hardcover
209 x 146 x 27 mm
304 pages, including 16pp of b/w & colour images

Square-backed case, debossed cover and spine
Ribbon marker, head and tail bands
Individually shrinkwrapped

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Flare Out

Peter Gidal – Flare Out: Aesthetics 1966–2016
Edited by Mark Webber and Peter Gidal
The Visible Press, April 2016

Flare Out: Aesthetics 1966–2016 is a collection of essays by Peter Gidal that includes “Theory and Definition of Structural/Materialist Film” and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal’s writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers’ Co-operative, and taught advanced film theory at the Royal College of Art. His previous books include Andy Warhol: Films and Paintings (1971), Understanding Beckett (1986) and Materialist Film (1989).

ISBN: 978-0-9928377-1-6

Hardcover
196 x 132 x 27 mm
288 pages, including 16pp of colour images

Square-backed case, debossed cover and spine
Ribbon marker, head and tail bands
Individually shrinkwrapped

Film as Film (HB)

Film as Film: The Collected Writings of Gregory J. Markopoulos
Edited by Mark Webber, with a foreword by P. Adams Sitney
The Visible Press, September 2014

Film as Film: The Collected Writings of Gregory J. Markopoulos contains some ninety out-of-print or previously unavailable articles by the Greek-American filmmaker who, as a contemporary of Kenneth Anger, Stan Brakhage and Andy Warhol, was at the forefront of a movement that established a truly independent form of cinema. Beginning with his early writings on the American avant-garde and auteurs such as Dreyer, Bresson and Mizoguchi, it also features numerous essays on Markopoulos’ own practice, and on films by Robert Beavers, that were circulated only in journals, self-published editions or programme notes. The texts become increasingly metaphysical and poetic as the filmmaker pursued his ideal of Temenos, an archive and screening space to be located at a remote site in the Peloponnese where his epic final work could be viewed in harmony with the Greek landscape. Gregory J. Markopoulos (1928-1992) is a unique figure in film history, whose life’s work stands in testament to his strength of vision and commitment to the medium.

ISBN: 978-0-9928377-0-9

Hardcover
220 x 141 x 35 mm
560 pages, including 16pp of colour images

Square-backed case, debossed front cover
Ribbon marker, head and tail bands
Individually shrinkwrapped

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